Shifting Contexts II is a specific visual art project whcih aims to explore the critical role of art to respond to a rapidly changing world and to contribute to contemporary discourse.
The Opening Doors Association Train the Trainer project provides continuous professional development to practitioners working within the disability and artistic sector. Opening Doors Association aims to provide further professional development opportunities to its current practitioners and other freelance practitioners interested in inclusive practices.
Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s Lucia di Lammermoor, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo.
When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.”