Palettes
Space B, Spazju Kreattiv St James Cavalier, Castille Place, VallettaThe project Palettes which is the result of Katarina Radovic's Artist's Residency with Spazju Kreattiv
Archives: Events
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Faces of Europe
Space C, Spazju Kreattiv St James Cavalier, Castille Place, VallettaGerman photo artist Carsten Sander captures the portraits of Europeans of different ethnicities, religions, and social backgrounds. Sander depicts celebrities, athletes, politicians, chance encounters on the street—all on equal terms, side by side.
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Spazju Kreattiv Cinema St James Cavalier, Castille Place, Valletta
Ġiraffa Ħarbet minn Kastilja
Spazju Kreattiv Theatre St James Cavalier, Castille Place, Valletta250 years after the Maltese public is still awaiting justice: an important treasure which was stolen from it is expected to be returned to the Maltese islands. The Prime Minister is a bundle of nerves until the Minister of Foreign Affairs returns with this precious object.
MET Encore: Turandot
Superstar soprano Anna Netrebko makes her long-awaited Met role debut as Puccini’s icy princess—live in cinemas on May 7.
National Theatre Live | Henry V (first screening)
Spazju Kreattiv Cinema St James Cavalier, Castille Place, VallettaKit Harington (Game of Thrones) plays the title role in Shakespeare’s thrilling study of nationalism, war and the psychology of power.
Shifting Contexts II
Space C, Spazju Kreattiv St James Cavalier, Castille Place, VallettaShifting Contexts II is a specific visual art project whcih aims to explore the critical role of art to respond to a rapidly changing world and to contribute to contemporary discourse.
MET Live: Hamlet
When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.”
Developing Dramaturgical Skills. Critical Chapters in Creative Processes
Studios St James Cavalier, Castille Place, VallettaDeveloping Dramaturgical Skills - Critical Chapters in Creative Processes will focus on discovering the tools of dramaturgical practice, with particular emphasis on the word ‘practice’, starting from: “Why do we need a dance dramaturg?”
Exhibition On Screen: Pissaro: Father of Impressionism
Spazju Kreattiv Cinema St James Cavalier, Castille Place, VallettaWithout Camille Pissarro, there is no Impressionist movement. He is rightfully known as the father of Impressionism.
il-Klus ta’ Clews
Studios St James Cavalier, Castille Place, VallettaIl-Klus ta' Clews is a special variety show celebrating the works of one of Malta’s most renowned comics, Charles Clews.
€10
Adult Panto
Spazju Kreattiv Theatre St James Cavalier, Castille Place, VallettaThe most hilarious show of the year is back! Panto used to be a sweet end-of-year show that delighted the kiddies on a cold winter's night. Not anymore!
Train the Trainer – Inclusive Practice in Performing Arts
The Opening Doors Association Train the Trainer project provides continuous professional development to practitioners working within the disability and artistic sector. Opening Doors Association aims to provide further professional development opportunities to its current practitioners and other freelance practitioners interested in inclusive practices.
€10
MET Encore: Lucia di Lammermoor
Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s Lucia di Lammermoor, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo.
MET Encore: Hamlet
When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.”