{"id":47032,"global_id":"dev.kreattivita.org?id=47032","global_id_lineage":["dev.kreattivita.org?id=47032"],"author":"1","status":"publish","date":"2020-02-14 00:00:00","date_utc":"2020-01-17 18:28:48","modified":"2020-09-15 09:21:33","modified_utc":"2020-09-15 07:21:33","url":"https:\/\/dev.kreattivita.org\/event\/strangers-in-a-strange-land-af-2020-2\/","rest_url":"https:\/\/dev.kreattivita.org\/wp-json\/tribe\/events\/v1\/events\/47032","title":"Strangers in a Strange Land (A+F 2020)","description":"<strong>Dati<\/strong>: 14 ta\u2019 Frar 2020 \u2013 8 ta\u2019 Marzu 2020\r\n<strong>Artisti<\/strong>: Barumbara,\u00a0 Etienne Farrell u\u00a0 Charlene Galea,\u00a0Roxman Gatt, Letta Shtohryn\r\n<strong>Kuratri\u010bi<\/strong>: Margerita Pul\u00e8\r\n\r\nStrangers in a Strange Land hija esebizzjoni multi-dixxiplinari dwar l-istat tal-mara f\u2019dinja narrata u mfassla mill-ir\u0121iel.\u00a0 Artisti vi\u017cwali u multi-dixxiplinari jirrea\u0121ixxu g\u0127all-istatus quo tad-dinja orjentata mal-ir\u0121iel,\r\n\r\nStrangers in a Strange Land, b\u2019mod awtomatiku, tara d-dinja b\u0127ala realta\u2019 maskili; l-ispazji tag\u0127na, l-g\u0127odod u n-narrativi huma mfassla li jikkomba\u010bu mal-fi\u017cikalit\u00e0 u im\u0121ieba maskili.\u00a0 Din l-esibizzjoni tistaqsi kif in-normi patrikjarkali \u2013 \u0127afna minnhom je\u017cistu kullimkien u anqas biss konxji minnhom \u2013 jistg\u0127u ji\u0121u sfidati b\u2019mod effettiv.\u00a0 Kif jista\u2019 l-istatus quo tad-dinja orjentata mar-ra\u0121el ji\u0121i definit mill-\u0121did b\u2019mod sistematiku, a\u0127\u0127ari u b\u2019su\u010b\u010bess?\u00a0 U kif jistg\u0127u modi \u0121odda ta\u2019 normalizzazzjoni jirriflettu dinja aktar ibbilan\u010bjata. L-artisti jesploraw kif nistg\u0127u niddisinjaw, nirrakontaw u ner\u0121g\u0127u naraw mill-\u0121did dak li jintqal, u dak li hu valorizzat. X\u2019kontribut tista\u2019 tag\u0127ti perspettiva aktar femminili u xi tfisser perspettiva femminili f\u2019termini ta\u2019 prospetti fi\u017ci\u010bi, filosofi\u010bi u tas-so\u010bjet\u00e0? U te\u017cisti istampa bilaterali ta\u2019 \u2018femminili\u2019 u \u2018maskili\u2019, jew jekk le, sa fejn huwa kun\u010bett falz?\r\n\r\nIl-wirja \u2014 prodotta minn Unfinished Art Space \u2014 hija ospitata mill-MU\u017bA, il-Mu\u017cew Nazzjonali tal-komunita\u2019 tal-Arti. Hija parti mill-pro\u0121ett tal-Wikimedia Community Malta\u2019s <a href=\"https:\/\/dev.kreattivita.org\/event\/artfeminism-2020-2\/\"><strong>Art+Feminism 2020 Project<\/strong><\/a> b\u2019kollaborazzjoni ma\u2019 Spazju Kreattiv u hija ssapportjata mill-Fond tal-Arti fi \u0127dan il-Kunsill Malti g\u0127all-Arti \u2013 Project Support\u00a0 Grant kif ukoll minn Express Trailers u Soroptimist International Malta.\r\n\r\n&nbsp;\r\n\r\n<strong>Imagined more than Woman:\u00a0 Francesca Saraulllo (Barumbara Collective)\r\n<\/strong>L-Erbg\u0127a 12 ta\u2019 Frar, 7pm \u2013 9pm\r\nTeatru ta\u2019 Spazju Kreattiv\r\n\r\nWorkshop g\u0127an-nisa kollha b\u2019bixra nostal\u0121ika g\u0127all-konnessjoni b\u2019sa\u0127\u0127itha u b\u017connju\u017ca bejn dak li huwa uman u dak li (pre)uman.\u00a0 B\u2019\u0127idma fuq il-memorja personali u dik universali, il-workshop ipo\u0121\u0121i enfasi spe\u010bifika fuq il-qalba intima tal-mara, il-pelvi, u tie\u0127u spirazzjoni mit-teorja tad-danza skont il-filosfu Fran\u010bi\u017c Daniel Sibonyas \u201c&#8230;moviment bejn \u017cew\u0121t i\u0121sma: \u2018\u0121isem-memorja\u2019 (\u2018corps-m\u00e9moire\u2019) u \u2018\u0121isem-pre\u017centi\u2019 (\u2018corps actuel\u2019).\u201d\r\n\r\n&nbsp;\r\n\r\n<strong>Imagined more than Woman: Barumbara Collectibe\r\n<\/strong>Il-\u0120img\u0127a 14 ta\u2019 Frar, 8pm\r\nIs-Sibt 15 ta\u2019 Frar, 8pm\r\nIl-\u0126add 16 ta\u2019 Frar, 5pm\r\nMU\u017bA, Valletta\r\n\r\nPrestazzjoni immersiva li tisfida l-limiti tal-awto-per\u010bezzjoni.\u00a0 Barumbara Collective ser tie\u0127dok fuq vja\u0121\u0121 \u0121ewwieni li permezz tieg\u0127u wie\u0127ed jifli sew l-konfini li jdawwruna b\u0127ala identitajiet, esperiment li jer\u0121a jiddefinixxi l-kontorni tal-ispazju kreattiv permezz ta\u2019 \u201c\u0127arsa femminili\u201d.\u00a0 It-titlu, mill-poe\u017cija ta\u2019 Aphra Behn, jalludi g\u0127al diversi mistoqsijiet li jissemmew f\u2019dan ix-xog\u0127ol marbuta mal-irwoli, l-ideat u l-aspetattivi u l-lingwa tal-\u0121andru.\u00a0 X\u2019jimplika, mela, li tkun mara?\r\n\r\n&nbsp;\r\n\r\n<strong>Artist Conversation: Etienne Farrell, Charlene Galea, Letta Shtohryn + Mirjana Batini\u0107 &amp; Emma Fsadni\r\n<\/strong>Il-\u0120img\u0127a 21 ta\u2019 Frar, 7pm\r\nKamra tal-Kommunita\u2019, MU\u017bA, Valletta\r\n\r\nEtienne Farrel + Charlene Galea.\u00a0 Enfasi fuq l-awokratiku, id-dominanti, il-makkak, g\u0127oli u setg\u0127an.\u00a0 L-artista Charlene Galea flimkien mal-artist vi\u017civ Etienne Farrell \u0127admu biex flimkien jesploraw u jo\u0127olqu sitt karattri arroganti u dominanti li, s-sens falz ta\u2019 sa\u0127\u0127a u poter tag\u0127hom jiddpendi fuq il-manipulazzjoni u l-intimidazzjoni tal-o\u0127rajn.\u00a0 Hekk kif\u00a0 ix-xog\u0127ol imiss mal-komiku, dan jimmira li jisfrutta l-vulnerabbilita\u2019 tal-karattri nvoluti, hekk kif is-sa\u0127\u0127a ma ti\u0121ix minnhom i\u017cda tiddependi biss mir-reazzjonijiet tan-nies li jiltaqg\u0127u mag\u0127hom.\r\n\r\n&nbsp;\r\n\r\n<strong>It-Tour tal-Kuratri\u010bi:<\/strong>\u00a0 <strong>Margerita Pul\u00e8\r\n<\/strong>Il-\u0126add 23 ta\u2019 Frar 3pm\r\nIl-\u0126add 8 ta\u2019 Marzu 11:30am\r\nMU\u017bA, Valletta\r\n\r\nIl-kuratri\u010bi ta\u2019 Strangers in a Strange Land\u2019s, Margerita Pul\u00e8, tag\u0127ti tour tal-esebizzjonijiet li qed jittellg\u0127u fil-MU\u017bA.\r\n\r\n&nbsp;\r\n\r\n<strong>My Womxn is a God My God is a Womxn: Roxman Gatt<\/strong><strong>\r\n<\/strong>Il-\u0120img\u0127a 28 ta\u2019 Frar, 8pm\r\nIs-Sibt 29 ta\u2019 Frar, 8pm\r\nKamra tal-Kommunita\u2019, MU\u017bA, Valletta\r\n\r\nL-inti\u017ca ta\u2019 dan ix-xog\u0127ol hija li tirreklama lura kliem derogatorju fil-konfront tan-nisa, u sabiex ji\u0121i \u010b\u010belebrat il-veru sens tal-moviment u tal-\u0127oss.\u00a0 B\u2019kollox, g\u0127al din il-prestazzjoni, inkitbu sitt diski.\u00a0 Il-koreografija hija mqassma b\u2019tali mod li timxi pari passu mad-diski kif ukoll max-xog\u0127olijiet o\u0127ra ta\u2019 pittura, vidjows u anke skulturi.\u00a0 Diversi mossi relatati mal-<em>clubbing<\/em> b\u0127all-\u2018<em>windmill\u2019, \u2018head banging\u2019, \u2018cruising\u2019, \u2018moshing\u2019, <\/em>kif ukoll i\u017c-\u017cifna tas-sa\u0127\u0127ara mill-film Metropolis (1927), u l-interpretazzjoni tal-kelma \u2018Slut\u2019 (prostituta) sar a\u010b\u010ben g\u0127alihom fil-\u0127olqien ta\u2019 din il-bi\u010b\u010ba xog\u0127ol.\r\n\r\nPrestazzjoni \u2013 Roxman Gatt\r\nAwdjo \u2013 Roxman Gatt\r\nKoreografija \u2013 Roxman Gatt, Sim Gray\r\nMoving Image \u2013 Roxman Gatt, Sim Gray | Filming \u2013 Sunny\r\n\u017beffiena \u2013 Roxman Gatt, Sim Gray, Chyrsso Cosmas, Eleni Papazoglou, Rosalind Wilson","excerpt":"<p>Strangers in a Strange Land is a multidisciplinary exhibition about being female in a world narrated by and designed for men. 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